Showing posts with label memoirs. Show all posts
Showing posts with label memoirs. Show all posts

Leaning Into The Wind: A Memoir Of Midwest Weather Review

Leaning Into The Wind: A Memoir Of Midwest Weather
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Leaning Into The Wind: A Memoir Of Midwest Weather ReviewAn Anglophile myself, Susan Allen Toth first came to my attention with her three 5-star travel narratives about England (MY LOVE AFFAIR WITH ENGLAND, ENGLAND AS YOU LIKE IT, ENGLAND FOR ALL SEASONS), and then her reminiscences of growing up in Iowa (BLOOMING) and off to college (IVY DAYS). LEANING INTO THE WIND comes across as a stream of musings about the rest of her life, all given unity by their strong or loose association with Midwestern climatology.
Many of Susan's weather references are symbolic, as alluding to the "storms" that troubled the eleven years of her failed first marriage to Lawrence, or equating Life in general to the "storm" into which we all must step. Indeed, many of the author's insights come from the philosophical viewpoint of one in the autumn of life. Born in the early 40s, if Susan isn't already sixty, she closing on it fast. There are numerous sentences prefaced with "I used to feel", "over my lifetime", "as I've grown older", "when I was young", and "these days". For that reason, LEANING INTO THE WIND will perhaps not appeal to younger readers. One might have to be of "that certain age", or a die-hard Toth fan.
Having lived in Southern California, where the climate is monotonously temperate 24/356, for fifty of my fifty-four years, I can't relate to Susan's description of weather's excesses. I've never personally seen a frozen lake, or had to take refuge in a storm cellar, or experienced eight inches of rain in as many hours. But the beauty of the author's prose is that I can immediately empathize when our experiences do intersect, as when she talks of leaping into an ice-cold pool from cement broiling under the July sun. Or, as sensitive to mosquito bites as she is, listening with dread to the drone of the summer pest in a dark room. Or reveling in the green, cool lushness of an English spring garden. Or smelling burning leaves in fall's nippy air. Toth brings it all back, no matter at what age I experienced the original. For the rest, of which I know nothing, I happily go along for the ride and trust in my guide.
LEANING INTO THE WIND is perhaps not the author's best book; its twelve chapters, though all under the Midwestern weather umbrella, are disparate from one another. And, at only 124 pages, it's overpriced in the hardback format. However, Toth has previously provided me with many hours of congenial reading, so I'll not be too begrudging. Love ya, Susan!Leaning Into The Wind: A Memoir Of Midwest Weather OverviewMidwesterners love to talk about the weather, approaching the vagaries and challenges of extreme temperatures, deep snow, and oppressive humidity with good-natured complaining, peculiar pride, and communal spirit. Such a temperamental climate can at once terrify and disturb, yet offer unparalleled solace and peace.Leaning into the Wind is a series of ten intimate essays in which Susan Allen Toth, who has spent most of her life in Iowa, Minnesota, and Wisconsin, reveals the ways in which weather has challenged and changed her perceptions about herself and the world around her. She describes her ever-growing awareness of and appreciation for how the weather marks the major milestones of her life. Toth explores issues as large as weather and spirituality in "Who Speaks in the Pillar of Cloud?" and topics as small as a mosquito in "Things That Go Buzz in the Night." In "Storms," a severe thunderstorm becomes a continuing metaphor for the author's troubled first marriage. Two essays, one from the perspective of childhood and one from late middle age, ponder how the weather seems different at various stages of life but always provides unexpected opportunities for self-discovery, change, and renewal. The perfect entertainment for anyone who loved Toth's previous books on travel and memoir, Leaning into the Wind offers engaging and personal insights on the delights and difficulties of Midwest weather. Susan Allen Toth is the author of several books, including Blooming: A Small-Town Girlhood (1981), My Love Affair with England (1992), England As You Like It (1995), and England for All Seasons (1997). She has contributed to the New York Times, the Washington Post, Harper's, and Vogue. She lives in Minneapolis.

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Waiting on the Weather: Making Movies with Akira Kurosawa Review

Waiting on the Weather: Making Movies with Akira Kurosawa
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Waiting on the Weather: Making Movies with Akira Kurosawa ReviewMy Kurosawa library is pretty full. Heavy, academic tomes like Stephen Prince's "The Warrior's Camera" and informative and personal showcases like Donald Richie's "The Films of Akira Kurosawa" can do a lot to deepen one's appreciation for the master filmmaker. Only "Waiting for the Weather" can make you smile, make you feel like you are sitting right there, caught up in the whirlwind of genius holding on for dear life and enjoying every minute of the ride.
Teruyo Nogami is a familiar face to most Kurosawa fans, having appeared in the 2001 documentary "Kurosawa" as well as lending her insights to the various Criterion Collection releases of Kurosawa's films. I can't picture her as anything else than a pleasantly smiling elderly woman, little realizing the will-power and strength that must have been necessary to serve as an assistant for the fierce personality of Kurosawa for so many years. Nor did I realize that she helped raise Juzo Itami, one of the greatest of Japan's modern filmmakers, best known for his comedy "Tampopo".
In "Waiting for the Weather", Nogomi, or Non-chan, as Kurosawa called her, waxes nostalgic about all the trials, tribulations, exaltations and boring down-times that went into creating some of the greatest moments ever caught on film. Her entry into the film world came through correspondence with Mansaku Itami, a famous director in his time although now somewhat forgotten, and then continued organically until her being hired on for an experimental new film called "Rashomon", which would change her life forever. From then on, she was a constant presence on Kurosawa's set, staying with him even during the dark times of "Dersu Uzala" and all the way until his final film "Madadayo" and his death. She was never a great mover or shaker, just someone who helped get things done, and was an essential piece of the Kurosawa machine.
There are so many scenes and memories in this book that put a human face on Kurosawa, and that are so pleasantly described, that it would be impossible to pick out a favorite. Imagine Kurosawa and his team taking a break from intense work of filming "Rashomon" to climb nearby Mt. Wakakusa and engage in some impromptu late-night dancing and stripping down to their underwear. Imagine sharing a laugh when the cages holding the crows for the climatic scene in "Dreams" were thrown open, and the black birds just sort of wandered around instead of taking off dramatically. This is the kind of nostalgia that Non-chan shares, and every word paints a vivid picture of affection and love for the human being behind the legend.Waiting on the Weather: Making Movies with Akira Kurosawa Overview
Teruyo Nogami was a relative newcomer to film production when hired as a continuity/script assistant on Akira Kurosawa's Rashomon. A witness to its filming—and its near destruction in a fire—over the next fifty years she worked on all the master's films—Ikiru, Seven Samurai, Kagemusha, and Dreams. No one was more closely involved in Kurosawa's productions, and in this memoir, charmingly illustrated with her own sketches, Nogami writes candidly about the director's energy, creativity, and his famous rages, telling the inside story on how so many classics of world cinema were made.

"Teruyo Nogami was Akira Kurosawa's script supervisor throughout his career, more importantly she was his loyal assistant and supporter during both the good and bad moments of his life. She is an extraordinary woman and these memories are a path to understanding the temperament and genius of one of the few...geniuses of cinematic history. It's not uncommon for a film director to have made one or two great films, but Kurosawa was able to create many masterpieces in many styles, set in both modern and classic times. So the opportunity to know this artist through the lucid eyes of a long-time collaborator is a privilege and an opportunity. Nogami-san's salty personality is perfect to show his many sides, not always flattering, which is essential in grasping him. This book is a treasury of stories and a key to the great body of cinematic work of Akira Kurosawa." -- Francis Ford Coppola

"If you're interested in movies, then you're interested in the work of Akira Kurosawa. Teruyo Nogami was by Kurosawa's side for almost 50 years, as he quietly (and sometimes, not so quietly) revolutionized the very grammar of cinema. This is a wonderfully intimate and beautifully written portrait of one of the greatest filmmakers who ever lived, which makes it essential reading." -- Martin Scorsese

"Sure to become a classic memoir, essential for our understanding of one of the greatest filmmakers of the 20th century." -- The Japan Times


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